Naveen Polishetty sandwiched between Mega Rebel War
The film Raja Saab is reportedly getting ready for a January 9 release, with an official announcement expected soon. This means the Maruthi-directed film will hit theaters four or five days before our “Shankar Varaprasad Garu’s” release. Naveen Polishetty is also planning for a Sankranti release.
Polishetty, who is very selective about his films, is gearing up with Anaganaga Oka Raju. In Telugu, Tamil hero Vijay’s film, Jana Nayagan, which has a “so-so” market, will also be in the race. This festival battle is therefore going to be very interesting. However, there is no need for anyone to be tense, as the Sankranti festival has the potential to make even four or five films super hits.
Vishal gets engaged
Vishal and Sai Dhansika’s engagement took place on August 29. The wedding date will be announced soon. Vishal is currently busy with the shooting of the movie ‘Makutam’. This film, which will be the 35th movie in Vishal’s career, is being produced by R. B. Choudary under the banner of Super Good Films. Ravi Arasu is directing the movie ‘Makutam’.
A huge pan-India mythological thriller film, Mayukham, was launched with a grand pooja ceremony
This is the first Indian film to feature 100% in-film branding.
Mayukham is a massive pan-India mythological thriller film directed by Venkat Bulemoni, starring Kushalav and Tanmayi as the lead actors.
Smt. Srilatha Venkat is producing the film under the banner of Cineteria Media Works. Mayukham is set to make history as the first Indian film with 100% in-film branding. The film’s launch ceremony, including a pooja, took place grandly at Prasad Labs in Hyderabad. Priyanka Manyal from T-Series Music gave the first clap for the muhurtham shot, while music director RP Patnaik switched on the camera.
Director’s Association President Veera Shankar directed the first shot. Producer Tummalapalli Ramasatyana Narayana extended his best wishes to the film’s team. The event was also attended by actor Ramki, Banking Committee Chairman Hari Govind, former Red FM Marketing Manager Badrinath, Shivakumar from Force Motors, Mam Company CEO Rahul, and others.
Director Venkat Bulemoni at the Press Meet
Director Venkat Bulemoni spoke at the press meet, stating, “Our company, Cineteria Media Works, has done in-film branding for many super hit films.
Our current project, ‘Raja Saab,’ is one of them. We have done in-film branding for around 140 films, including ‘Maname,’ ‘Ahimsa,’ and ‘Aadavallu Meeku Joharlu.’ We recently entered the distribution field as well. We are now producing a huge pan-India film called Mayukham, a mythological thriller.
I worked hard on this script for six years. We’re going to create it as a franchise and a universe.”
“This is the first Indian film to have 100% in-film branding. In Bollywood, the film ‘Taal’ previously had 60% in-film branding. This method is common in Hollywood. Even though our film will have 100% in-film branding, no brand will appear to be overtly promoted. We are making this film based on historical and mythological facts,” he added.
India Begger issues
Begging in India is a multifaceted issue deeply rooted in poverty, lack of social security, and systemic exploitation. While often viewed as a law and order problem, it is primarily a socio-economic challenge that requires comprehensive and humane solutions.
The Problem: A Vicious Cycle of Poverty and Exploitation
The problem of begging is driven by a mix of individual circumstances and broader societal issues. A 2011 Census revealed that India has over 400,000 beggars, though unofficial numbers are likely much higher. The causes are varied and often interconnected:
* Poverty and Lack of Livelihood: The primary driver is a lack of economic opportunity. Many beggars are from rural areas, pushed into cities by natural disasters, crop failure, or simply the search for work.
* Disability and Disease: A significant portion of the beggar population is physically disabled, chronically ill, or suffering from mental health issues, making it difficult for them to find conventional employment.
* Social Exclusion: Marginalized communities, including members of Scheduled Castes and Tribes, often face discrimination and are left with limited options.
* Organized Begging Rings: This is a darker side of the problem. Criminal syndicates often abduct or coerce individuals, especially women and children, and force them into begging. These victims are often deliberately maimed or drugged to evoke greater sympathy and donations from the public.
The Legal Framework: Criminalization vs. Rehabilitation
Historically, India’s approach to begging has been punitive, largely influenced by colonial-era laws. The Bombay Prevention of Begging Act, 1959, adopted by many states, criminalizes begging and allows for the arrest and detention of beggars in “beggar homes.” However, this approach has faced significant criticism from human rights activists and legal experts. They argue that it criminalizes poverty rather than addressing its root causes.
In a landmark 2018 judgment, the Delhi High Court decriminalized begging in the national capital, stating that the act of begging is a citizen’s last resort to survive and cannot be criminalized. This ruling, while a step in the right direction, highlights the need for a national policy that prioritizes rehabilitation over punishment.
Solutions: A Human-Centric Approach
Addressing the begging problem requires a multi-pronged strategy that focuses on prevention, rehabilitation, and social reintegration.
* Rehabilitation and Skill Development: Instead of detention, a more humane approach involves providing beggars with shelter, food, and healthcare. The Ministry of Social Justice and Empowerment has initiated the SMILE (Support for Marginalized Individuals for Livelihood and Enterprise) scheme. This scheme aims to rehabilitate beggars by offering them vocational training, counseling, and employment opportunities to help them become self-sufficient.
* Tackling Organized Begging: The government and law enforcement agencies must crack down on organized begging rings. This requires a coordinated effort to identify and dismantle these networks, rescue victims, and prosecute the perpetrators. Stricter enforcement of anti-trafficking laws is crucial to end the exploitation of vulnerable individuals.
* Strengthening Social Safety Nets: The long-term solution lies in strengthening India’s social security system. This includes ensuring access to basic education, healthcare, and employment schemes for the most vulnerable populations. By providing a robust safety net, the government can prevent people from resorting to begging in the first place.
* Changing Public Behavior: The public’s role is equally important. While giving money to beggars may seem like an act of kindness, it often perpetuates the problem, especially by sustaining organized rings. Instead, people should be encouraged to donate to reputable NGOs and charitable organizations that are working on the ground to rehabilitate beggars and provide them with a sustainable livelihood.
Ultimately, the begging problem is a reflection of deeper societal inequalities.
By shifting the focus from criminalization to compassion and comprehensive rehabilitation, India can work towards a future where every individual has the dignity and opportunity to live a life free from poverty and exploitation.
(IMY) IMY Telugu Title Challenge: Guess the Title and Take Home a Lakh
A new trend has started in film promotions. The movie ‘IMY,’ produced under the Sanjeevani Productions banner, has thrown a massive challenge to the audience for its title.
It has announced that anyone who can correctly guess what ‘IMY’ stands for in Telugu can win a grand prize of one lakh rupees.
R.P. Patnaik’s Re-Entry Adds a Boost
A special highlight of this film is the comeback of renowned music director R.P. Patnaik, who had been away from music for a long time.
He agreed to compose for this movie after being impressed with the story narrated by director Trinath Kathari. The song “Gam Ganapataye Namaha,” which has already been released, is a huge hit with audiences.
Many people who heard the song are praising R.P. Patnaik, saying he is back in form. It is said that R.P. Patnaik and Anurag Kulkarni had long wanted to create a super-hit song together, but it never worked out. Their dream has now come true with this song, and there’s a strong buzz that it will be a sure-fire hit.
What’s the Challenge?
To participate, you must guess a suitable Telugu title for the letters ‘IMY’ and send it to the WhatsApp number 7569933855. The winner who provides the correct title will receive a cash prize of one lakh rupees. Additionally, 10 people who send creative titles will also be awarded a prize of ₹5,000 each. Your entries must be submitted by September 9, 2025.
The Film Crew
Producer: K. Shankar
Story & Direction: Trinath Kathari
Music: R.P. Patnaik
Cinematography: Jagadish Cheekati
Editor: SB Uddhav
PRO: SNR
Trinath Kathari is also acting as the hero, with Sahithi Avancha as the heroine. Senior actors like Tanikella Bharani, Devi Prasad, and Goparaju Ramana are playing key roles in the film, which is set to be released soon.
Blood – Valour – History: Here’s The Roaring First Look Poster of Tamil-Telugu Historical Action Drama, “Draupathi 2”
Following the super success of the 2020 Tamil film “Draupathi”, popular actor Richard Rishi is returning with the sequel, “Draupathi 2”. This much-anticipated historical action drama is currently in production, mounted on a grand scale by Netaji Productions, in association with Chola Chakravarthy, and produced by G. M Film Corporation. The film is directed by Mohan G., known for films such as Pazhaya Vannarapettai, Draupathi, Rudra Thandavam, and Bagasuran.
On the auspicious occasion of Sri Vinayaka Chavithi, the makers have unveiled the first look poster today, raising expectations for the film’s grand theatrical release later this year in both Tamil and Telugu.
Set in the 14th century, the film explores the blood-stained history of Hoysala emperor Veera Vallalar III, who ruled South India with Thiruvannamalai as his capital, along with the bravery of the Kadavarayas of Sendhamangalam. The story unfolds against the backdrop of the Mughal invasion of Tamil Nadu.
Around 75% of the film’s shoot took place extensively in Mumbai, and a few other key portions were also shot in Senji, Thiruvannamalai, and Kerala.
A major highlight is how this epic historical narrative connects with the story of the first part, Draupathi, making this the much-awaited second instalment in the franchise.
Talented actress Rakshana Indusudan will be seen as the female lead in the movie. The cast also features an ensemble of actors, Natti Natraj, Y. G. Mahendran, Nadodigal Barani, Saravana Subbiah, Vel Ramamoorthy, Siraj Johnny, Dinesh Lamba, Ganesh Gaurang, Divi, Devayani Sharma, and Arunodayan in pivotal roles.
The film’s dialogues are written by Padma Chandrasekhar, and Mohan G. Ghibran composed the music for the film, while cinematography is handled by Philip R. Sundar. Devaraj is serving as the editor, and Kamalnathan is working as the Art Director. Thanika Tony is composing the choreography, and the stunts are being composed by Action Santosh.
Get ready to experience the saga of Hoysala emperor Veera Vallalar III and the Kadavarayar kings of Senthamangalam, a story etched in valour, sacrifice, and blood-soaked history. Draupauthi 2 hitting theatres in Tamil & Telugu soon.
