Deepak Saroj, who entertained the audience as a child actor in many films, became a hero with the film Siddharth Roy. The romantic cult love story genre film started with him as the hero. Sri Lakshmi Narasimha Arts Production No. 1 movie started grandly with pooja Ceremony today. Harish Gadagani is making his directorial debut with this film, and Thanniru Haribabu is turning producer with this film. Deekshika and Anaira are playing the heroines in this film, while Raghu Babu, Hyper Aadi, Satya, YouTuber Punju, Yadamma Raju, Raccha Ravi are playing other key roles. Today, the film was grandly launched with pooja programs at the film office in the presence of BlockBuster Directors The chief guests for this event were directors Venu Udugula, Pradeep Maddali, committee boys of Yadu Vamsi fame, Ka fame Sujith-Sandeep, Sandeep Saroj, Bharat Vadhana, Uday Sharma, Vamsi Chaganti, Hyper Adi, and Raccha Ravi. After the puja programs, the script of this film was presented by Pradeep Maddala and Yadu Vamsi and Venu Udugula clapped. Sujith switched on the camera and Sandeep directed the first shot.

After the puja, the director said, this is my first film. As soon as the story was told, the producer said let’s start immediately, and I will be indebted to him for the rest of my life. I thank both our hero Deepak and heroine Anaira for accepting this story. Many thanks to the guests who came here, Venu garu, Vamsi garu, Sandeep Sujith garu, and Pradeep garu. This is a complete love genre film. We are bringing this film to the audience as a romantic call to love story. We are planning to start in January and end in April. Many thanks to everyone who came to bless us.”

Hero Deepak Saroj said, My name is Deepak Saroj. Why do I always say the dialogue of the train? I have stuck in the minds of the Telugu audience through that dialogue. The director of this film, Harish, is coming up with a good love story. When I was looking for a good story, I heard this story and it felt like a story that I definitely had to tell. The team is also a very good team. Anoop Rubens is providing music. We know how good music Anoop Rubens has given so far. I am lucky that he has provided music for my film. Our producer Haribabu, although this is his first film, I felt that he will be here for a long time. It is very good to make a film with producers who are ready to do anything for the film. Cinematographer Suresh and editor Varaprasad are saying this, a good team has been set. Many thanks to the guests who came here today and the media. To our PRO Shiva Special thanks,” said Heroine Anaira. Greetings to everyone, “I am very happy and in a way lucky to be a part of this project. I would like to express my special gratitude to our directors and producers. It is not a common thing for an outsider to get a film opportunity. But they recognized my talent and gave me an opportunity. Now I am getting goose bumps as I am talking about it because it has been my lifelong desire to appear in front of the camera. Since childhood, I have loved the camera and cinema. Cinema is a kind of madness for me, I would fall and die for cinema, I love cinema so much. I am very excited to work with Deepak garu. We are ready to give an entertaining dhamaka package film with our best team.”

Producer Haribabu said,  My name is Haribabu. I have been in the real estate sector of Hyderabad for 20 years. With the passion for cinema, I am preparing to establish a banner called Lakshmi Narasimha Arts and make films. I am making my debut as a producer with this film. I liked the story of this film as soon as I was told. I immediately said yes to Harish’s story. I have been very interested in the film industry since childhood. That is why I became a film producer. I thank Anoop for providing music for our film and Suresh for providing cinematography. As soon as I told the story to the hero, he said yes, it was good, thank you to them. The heroine also said yes as soon as she heard the story. “A special thank you to all the directors, other friends and media who came here to bless us today,” he said.

Cast: Deepak Saroj, Deekshika, Anaira, Raghubabu, Hyper Adi, Satya, YouTuber Punju, Yadamma Raju, Raccha Ravi and others

Technical crew:
Written, directed by HarishGadhagani
Banner: Sri Lakshminarasimha Arts Productions
Producer: Tanniru Haribabu
Music: Anoop Rubens
DOP: Suresh Raguthu
Editor: Vara Prasad
Co-director: Anil Boydapu
Executive producer: Arjun Sai
Action director: Madikonda Nataraj
PRO: BA Raju’s team ( Madhu VR, Shivakumar B )
Digital media: Digital Dukanam

Rating : 2.5/5

Red Sandlewood Don one man show

Continuing from Pushpa Part1 Allu Arjun role as Red Sandalwood smuggler is glorified.

Most of the first half is tussle between Allu Arjun and Fahad to gain upper hand.

Fahad trying to prevent Red Sandalwood smuggling and Allu Arjun continuing his smuggling.

Second half deals with Allu Arjun using his syndicate and syndicate money for political prominence as his ego his hurt by a politician.

Ausuya, Sunil did well in supporting roles.

Rao Ramesh, Jagapathi as politicians did a decent job.

Allu Arjun performance was in peaks in gangama jathara and climax.

Rashmika did well as Allu Arjun wife.

Britney Spears is officially single nearly a year and a half after ex-husband Sam Asghari filed for divorce, according to reports.

According to court documents, Spears was declared legally single on Monday. The ruling falls on the pop icon’s 43rd birthday (Dec. 2.).

Spears addressed the split in an Instagram video , “6 years is a long time to be with someone so, I’m a little shocked but … I’m not here to explain why because it’s honestly nobody’s business !!!”

While not every actor is a director, every great director undoubtedly has a brilliant actor within. From legends like Dasari Narayana Rao and K. Viswanath to stalwarts like Bhagyaraja, Vijay Sethupathi, and S.J. Suryah, to modern examples like Avasarala Srinivas and Tarun Bhaskar, these personalities prove the point. Joining this illustrious list with pride and steadily working towards achieving a century of roles as an actor is director-turned-decent-actor Guda Ramakrishna.

Beginning his cinematic journey as an assistant director under Dasari Narayana Rao for the film Majnu”, Guda Ramakrishna steadily climbed the ranks despite many ups and downs. With divine blessings, he turned director with Taaraka Prabhuni Deeksha Mahimalu. His subsequent films, Sannajaji, Pellam Vachindi, and Jagadguru Sri Shirdi Saibaba, earned him recognition. Particularly, Jagadguru Sri Shirdi Saibaba was honored as the Best National Integration Film by the then united Andhra Pradesh government in 2009, fetching him the prestigious Sarojini Naidu Memorial Nandi Award for Best Director—a milestone in his career.

Being a close disciple of Dasari, Guda Ramakrishna also shares a strong bond with journalism and has carved a niche in politics, currently serving on the BJP’s campaign committee. His foray into acting began with the movie Kanche, and he went on to act in notable films like Sarrainodu, Nene Raju Nene Mantri, Chalo, Krack, Sye Raa Narasimha Reddy, Saaho, and Godfather. Having appeared in over 70 films, he is now busy with prestigious projects like Pushpa 2, Game Changer, Rajasab, Thammudu, and Bhairavam.

Apart from his cinematic pursuits, Ramakrishna is also adept at handling real estate ventures with remarkable skill. Reflecting on his journey, he says, “As a director, I understand the struggles of producers. That’s why, if I like a role, I don’t fuss over remuneration. I even take care of my costumes myself if needed.”

He expressed immense satisfaction with his recent performance in the Manchu Lakshmi-Sanjeev Megoti film Aadiparvam. A versatile personality, he takes pride in having successfully fulfilled his responsibilities by grooming his only daughter to attempt civil services and arranging her grand wedding. Now, with personal responsibilities behind him, he has resolved to focus entirely on acting. “By God’s grace, several directors are offering me good opportunities, and my primary priority is cinema over politics and real estate,” he shares with joy!!

For direct inquiries or collaborations with Guda Ramakrishna, he can be reached at 93913 27601.

“Working for OTT platforms and web series provides a great opportunity for young talent and technicians. However, as a professional, I constantly keep myself updated by watching projects in Hindi, French, and Korean, despite being busy,” says costume designer Josyula Gayathri devi. She recently worked on the detective web series Vikkatakavi, currently streaming on the popular OTT platform ZEE5. directed by Pradeep maddali, the series features Naresh agastya and Megha akash in lead roles. It is produced by the renowned production house SRT Entertainments, under the passionate guidance of producer Ram Talluri. The Vikkatakavi web series, a periodic detective drama, began streaming on ZEE5 from November 28. In recent interview, Gayathri devi shared her working experience on this periodic web series, emphasizing how different and exciting it was to work on a project like Vikatakavi.

* About background

– I was born in Vizianagaram and grew up in Chennai. I completed my schooling in Chennai up to my intermediate education and then pursued a degree in Computer Science Engineering. I started my career at Samsung and later joined Microsoft, which brought me to Hyderabad. At the India development center in hyderabad, I worked as a developer for three years. After that, due to some personal reasons, I decided to resign from my job.

* How did you become a fashion designer?

– After resigning from my job, I decided to take a break. During that time, I developed an interest in fashion designing. Having grown up learning stitching and embroidery at home, I thought fashion designing could also be a good foundation for starting a business. Initially, I had planned to set up a boutique business after turning 40. But since I had already left my job, I decided to pursue the idea immediately. I joined a one-year diploma course in fashion designing at Hamstech. Right after completing the course, I participated in a fashion show, which was a great learning experience. Within a year, I was invited to be a mentor for the course, and I took up the role. Fashion designing isn’t just about creativity; executing ideas practically is crucial. From sourcing fabrics to calculating the final pricing of a garment, I learned it all through hands-on experience. Working as a fashion show mentor helped me understand the entire process, managing seven teams under me. Later, I started my own boutique business. The boutique thrived until 2019, but I had to close it during the COVID pandemic. Now, I am planning to relaunch my business on a much larger scale.

* How did you enter the film industry?

– Initially, other designers would regularly come to me for stitching their garments. This gradually paved the way for me to step into the film industry. My journey began when I worked on the movie Palasa—I only handled the designing part and didn’t go to the shoot. However, my career as a costume designer officially began with the web series Kudi yedamaithe on the Aha platform. After that, I worked on a movie titled Parahushar, but it didn’t release due to certain reasons. Later, I collaborated with Karuna kumar on the movie Kalapuram and worked on the web series Sarvam shaktimayam, directed by Pradeep maddali. This series was a significant learning experience for me because it taught me how to manage a full outdoor project efficiently with a limited budget and manpower.

* Tell us about your working experience on the periodic series Vikkatakavi

– Working on the sarvam shaktimayam series was incredibly helpful in preparing me for vikkatakavi. After sarvam shaktimayam, I worked on another periodic series titled harikatha, produced by people media factory. This series, set in the 1990s, is scheduled for release in december and was directed by maggie, known for three roses. Interestingly, the opportunity to work on both harikatha and vikkatakavi came at the same time. Since harikatha began production first, the shooting schedules didn’t overlap, which was a blessing. My experience with harikatha directly helped me while working on Vikkatakavi. Working on periodic series with unique concepts isn’t a regular occurrence, so when such opportunities arise, one must seize them. Balancing these projects and understanding the nuances of each era has been a rewarding challenge.

* What is the difference between working on movies and series?

– While working on series, there are usually budget constraints. The expectation is to deliver high-quality output within a limited budget. On the other hand, movies often allow for more flexibility in terms of budget. In the case of series, there is significant input not just from the director but also from the ott platform involved, which influences creative decisions. However, when it comes to movies, the director is typically the final decision-maker, giving a clearer creative direction.

* How do you stay updated as a technician?

– Technicians must constantly update themselves to stay relevant. After working on films, I haven’t yet returned to series, although my career began with web series. Working on ott platforms and web series offers a great opportunity for young talent and technicians. To stay updated professionally, I consistently watch projects from different industries, including Hindi, French, and Korean. Being busy is never an excuse to stop learning. Staying informed about trends and techniques is crucial for growth.

* Tell us about your working experience on the vikkatakavi Series

– The vikkatakavi series is set against a telangana backdrop, with a periodic storyline that required extensive research. Since the narrative takes place in the 1940s, I first wanted to understand what Hyderabad was like during that time. Our associates recommended the classic telangana movie maa Bhoomi. Watching it gave me insights into the lifestyle, attire, culture, and traditions of that era. To deepen my understanding, I visited libraries and read articles about Hyderabad in the 1940s. I carefully considered how to depict that period authentically while deciding where creative liberties could be taken. I then prepared my team accordingly. For costumes, I researched how pants, shirts, and other attire looked during that time by downloading reference videos and conducting look tests. Working on this project was a unique experience as a technician. It provided an opportunity to delve into a different era and bring it to life on screen in a visually appealing and authentic way.

* What did you find most challenging about vikkatakavi?

– One of the major challenges was choosing the right fabrics. Initially, we had a different plan, but as we aligned with the mood of the story, we had to change the fabrics to match the narrative. For the hero’s look, we took extra care to ensure he appeared tall while still fitting the 1940s aesthetic. These considerations were challenging but manageable through thorough research and attention to detail. For Megha akash’s character, we initially planned chudidars, but as per the storyline, sarees felt more appropriate. However, we avoided silk sarees and opted for cotton, linen, and khadi sarees to maintain authenticity. Balancing historical accuracy with visual appeal was both challenging and rewarding.

* What are your next projects?

– Currently, I’m working on a web series titled marmayogi, directed by satish vegesna, which is being produced for hotstar. The shooting has recently started. Additionally, I’m also working on a movie titled manasachora.