Even though it’s been two years, the appointment of the Andhra Pradesh Film Development Corporation Chairman hasn’t been made. Amidst widespread criticism regarding the delay in this matter, Deputy Chief Minister Pawan Kalyan put a stop to it. He publicly announced to the media that he had proposed the name of A. M. Rathnam, a producer he highly regards, thereby eliminating any further lobbying for the post.
It can be assumed that the Power Star gave this position as a return gift to Rathnam, who delivered “Kushi” then and “Veeramallu” now. In light of this development, expectations are growing stronger that “Hari Hara Veera Mallu” will undoubtedly perform exceptionally well at the box office.
Pawan Kalyan spoke at length about his upcoming film ‘Hari Hara Veera Mallu’, which is set to release in two days.
Here are the highlights in his own words: “It’s not my nature to abandon those who trust me. I know A.M. Rathnam capabilities, which is why I recommended his name to the FDC Chairman.
I’ve discussed politics with media friends, but I’ve never spoken like this for a film. I feel hesitant to talk about films. I don’t know how to promote a movie. I know how to work, but it’s difficult for me to boast about what I’ve done. I unexpectedly became an actor and a technician. Me not speaking to the media about films isn’t due to arrogance or ego.
Before I entered the cinema,I used to wish I had a producer like A.M. Rathnam.
He’s someone who took regional cinema to a national level. He released Tamil films in Telugu and made them run successfully like direct Telugu films, proving his mettle. He’s a person who enhanced the film industry’s creative potential.
Coming to ‘Veera Mallu’, it faced many ups and downs, including two COVID-19 waves. After I entered politics and moved away from direction and the creative part, and with my primary focus on politics, I had to shoot for almost 57 days just for the climax. We shot in the scorching heat of May. The martial arts I learned years ago, both domestically and abroad, came in handy for this film.
We sat with choreographers and specially designed the climax. This is the lifeline of the film.
To briefly explain the movie, it’s a story about how the Kohinoor diamond found in Kollur, on the banks of the Krishna River, made its way to the Hyderabad Sultans and its journey thereafter. The foundation for this was laid by Krish Jagarlamudi. He came with a great concept. When he and Rathnam Garu narrated the story, I liked it and immediately said yes.
I’ve seen A.M. Rathnam Garu up close. There was a time when producers, distributors, heroes, and directors used to follow him. During the movie ‘Kushi’, our pre-production was done a month in advance.
He provided us with such comfort. It pained me to see such a person struggling. This isn’t about money or success, it’s about standing by our people and the film industry we believe in. Even though Krish Garu couldn’t complete this film for some reason, I wholeheartedly thank him for laying the foundation with a good concept.
When I was doing ‘Kushi’, Jyothikrishna did a filmmaking course in London. Talking to him, I felt he was a sensible director. When there were whispers about whether this film would even be completed, Keeravani Garu was the one who gave us oxygen. I always focus on film quality and don’t talk much about movies. But for this film, I felt it was necessary to speak.
In a time when producers are disappearing, my intention was to support a strong producer who made a film and stood firm despite facing difficulties. That’s why I left my busy schedule and came here, even though my opponents are criticizing me. Because the film industry has given me my livelihood. I have immense respect for cinema. I took this film onto my shoulders because I don’t want a producer like Rathnam Garu to face difficulties.
I came here today to say that this film is not an orphan,I am here for it. I stand by crores of people and respond to national issues; why would I abandon my own film? Starting as a small makeup man, Rathnam Garu rose step by step as a director, writer, and producer to reach this level. No matter how many difficulties he faces or how many people trouble him, he remains silent. Irrespective of caste, religion, or region, anyone with talent can succeed in the film industry. That’s why I have so much respect for the film industry. Making a film is like performing a yagna. You don’t even know if you’ll make money. I came here to talk about Rathnam Garu’s goodness and the good film he made.
After I became Deputy CM, to ensure administration is not hampered, I dedicated two hours of my personal time every day. Accordingly, Jyothikrishna and Paramahamsa planned the shoot. The output came out wonderfully. I proposed Rathnam Garu’s name to Chief Minister Chandrababu Garu for Film Development Corporation Chairman. Not because he’s my producer, but because I believe the film industry will benefit if such a person is in that position. I believe this film will give a good experience to all audiences who come to the theater. A film should have some impact on our lives. I hope this film will provide such an impact and energy.
K.T. Rama Rao (KTR), a prominent political figure in Telangana and the working president of the Bharat Rashtra Samithi (BRS), has been associated with the concept of a “Pink Book” in two distinct contexts, reflecting different facets of his political and administrative roles.
The “Pink Book” as an Investor’s Guide to Telangana
One significant “Pink Book” associated with KTR is the “Pink Book – Investor’s Guide to Telangana,” which he officially launched in July 2021. This publication serves as a comprehensive resource designed to attract and facilitate investments in the state.
Key features and objectives of this “Pink Book” include:
Promoting Ease of Doing Business (EoDB),
Sectoral Policies and Government Information, Comprehensive overview and, facilitating investment decisions, annual updates.
This “Pink Book” underscores KTR’s focus on industrial development and economic growth for Telangana, leveraging his portfolio as the Minister for IT, Industries, and Commerce (a position he held in the previous BRS government).
Now out of power KTR is going the Lokesh way with now “Pink Book” as a Record of Grievances.More recently, particularly after the change of government in Telangana, the term “Pink Book” has taken on a different, politically charged meaning within the BRS party.
BRS leaders, including KTR and MLC Kalvakuntla Kavitha, have publicly stated that they are maintaining a “Pink Book” to document instances of alleged harassment and false cases against their party workers and leaders by the current Congress government and its officials.
This “Pink Book” in the political context signifies: * Accountability and Future Retribution: The BRS leadership views this “Pink Book” as a record of grievances, implying that those responsible for perceived unjust actions will be held accountable when the BRS potentially returns to power. Kavitha, in particular, has been vocal about not letting anyone responsible go unpunished.
* Response to Perceived Suppression: The move is framed as a response to what the BRS perceives as a deliberate attempt by the ruling party to suppress opposition voices and target BRS members.
* Political Strategy: This “Pink Book” is part of a broader political strategy, similar to the “Red Book” concept seen in Andhra Pradesh politics, where opposition parties document alleged misdeeds of the ruling government. It serves as a warning and a rallying cry for party cadres.
In essence, while the “Pink Book” initially represented an administrative tool for economic development under KTR’s purview, it has more recently evolved into a symbol of political resistance and a record of perceived injustices for the BRS party.
Both iterations, however, highlight KTR’s prominent role in the state’s political and administrative discourse.
Hyderabad, a city known for its technological growth and heritage charm, is increasingly bogged down by an age-old problem—traffic congestion at junctions, especially T-junctions. These bottlenecks have become a daily struggle for lakhs of commuters navigating the city’s busy arterial roads.
The Nature of the Problem
From Panjagutta, Masab Tank, and Koti, to newer areas like Kondapur and Madhapur, junctions across Hyderabad are often chaotic, unsafe, and inefficient. T-junctions—where three roads meet—are especially problematic due to:
Unregulated right turns causing traffic blocks
Signal jumping and low lane discipline
Lack of dedicated turn lanes
Pedestrian and vehicle conflict zones
Poor enforcement and signage
During peak hours, these junctions become hotspots for gridlocks, minor accidents, and frayed tempers, affecting not just private vehicle users but also public transport and emergency services.
Common Scenarios at Hyderabad’s Junctions
1. Right-Turn Congestion: Vehicles attempting right turns from the base of the “T” often block traffic coming straight or from the opposite side.
2. Blocked Junction Box: Impatient drivers occupy the intersection even during red signals, leading to cross-flow congestion.
3. No Slip Lanes: Missing or blocked left-turn slip roads force all vehicles to wait at the signal unnecessarily.
4. Pedestrian Risk: No foot overbridges, zebra crossings, or pedestrian lights make it dangerous to cross junctions.
What Makes These Problems Perennial?
Poor planning and outdated designs of roads, especially in older parts of the city
Uncontrolled urban sprawl leading to unanticipated traffic loads
Insufficient coordination between GHMC, HMRL, and Traffic Police
Slow implementation of Intelligent Traffic Management Systems (ITMS)
Encroachments near junction mouths reducing visibility and road width
Solutions: What Can Be Done?
To address Hyderabad’s perennial junction problems, a mix of short-term relief measures and long-term urban traffic strategies is essential.
1. Engineering & Infrastructure Fixes
Widening T-junction arms
Constructing dedicated right and left-turn lanes
Building micro flyovers or underpasses in high-volume areas
2. Smart Traffic Signal Management
Use of AI-enabled adaptive signal timing
Signal synchronization along corridors (e.g., Necklace Road to Begumpet)
Countdown timers and lane-based signaling
3. Strict Enforcement & Regulation
Automated challan systems via CCTV and ANPR
Fine for “blocking the box”
Penalties for illegal parking near junctions
4. Pedestrian Safety Enhancements
Zebra crossings with pedestrian lights
Fenced medians and foot overbridges near high-traffic T-junctions
5. Public Transport & Modal Shift
Encourage metro and MMTS usage through better last-mile connectivity
Use of park-and-ride systems near key junctions
Examples of Need-Based Interventions
KBR Park Junction: Redesign helped manage turning traffic more efficiently
Jubilee Hills Checkpost: A proposed underpass may reduce signal pressure
HiTec City Junction: Smart signals and better lane markings led to visible improvement
Way Forward: Multi-Agency Coordination
Fixing junction issues is not just the job of the traffic police. It requires collaborative action from:
GHMC (for road design and encroachment removal)
Hyderabad Traffic Police (for enforcement and planning)
HMDA and Urban Transport Department (for long-term urban mobility design)
Public cooperation (to follow rules and reduce peak-hour load)
Conclusion
Hyderabad’s rapid growth cannot come at the cost of commuter convenience and road safety. Unless perennial junction issues are addressed through integrated planning and citizen responsibility, the city’s traffic woes will only worsen.
It’s time to untangle the T-junction troubles—not just for speed, but for sanity on the streets.
Sreeleela has already been cast in “Ustaad Bhagat Singh,” and it appears that the beautiful actress Pooja Hegde has landed a chance as the second heroine. It’s known that Pooja has previously worked with director Harish Shankar in films like “Duvvada Jagannadham” and “Gaddalakonda Ganesh.”
Now, for the third time, Pooja is set to act in “Ustaad,” the remake of the Tamil film “Theri,” under Harish’s direction. Her item song for “Coolie” is already creating a buzz!
Bollywood, which has been settling for meager successes lately and craving a blockbuster, just got a massive one. And it came from a small film at that! The movie is “Sayyara.” Released last Friday, this film is already knocking on the 100-crore club’s doors.
This low-budget love story surprised Bollywood circles with an opening day collection of 25 crores. Expectations are now that it will easily collect 200 crores. The fact that a big hero like Ajay Devgn put aside his ego and postponed the release of his film “Son of Sardaar 2” is a testament to “Sayyara’s” sensation.
Directed by Mohit Suri and produced by Yash Raj Films, this movie introduces Ahaan Panday and Aneef Paddaa as the lead actors. Even our Superstar Mahesh Babu has fallen in love with this film, even giving it a review, stating how much he liked it.
The shooting for the film starring Megastar Chiranjeevi and directed by Anil Ravipudi is currently underway in some stunning locations in Kerala. Information suggests that the title “Mana Shankar Vara Prasad Garu” is under consideration for this movie. The film is being produced by Sahu Garapati under the Shine Screens banner, in association with Sushmita Konidela’s Gold Box Entertainments, and presented by Smt. Archana.
The team is currently filming a song. A colorful and melodious montage song featuring Chiranjeevi and Nayanthara is being shot. Along with this song, composed by Bheems Ceciroleo with a wedding celebration backdrop, some crucial scenes are also being filmed in this schedule. The shooting for this schedule will conclude on July 23rd.
