‘Thassadiya’ from Samantha’s ‘Maa Inti Bangaaram’
Tralala Moving Pictures Drops First Single ‘Thassadiya’ from Samantha’s Action Comedy Family Drama ‘Maa Inti Bangaaram’ — In Cinemas May 15
HYDERABAD — Tralala Moving Pictures has released the first single from its upcoming production Maa Inti Bangaaram, ahead of its worldwide theatrical release on May 15, 2026.
The track, “Thassadiya”, is a high-energy wedding celebration number composed by Santosh Narayanan, with lyrics by Rehman and vocals by Chinmayi Sripada and Punya Selva. Samantha brings the song to life with commanding screen presence and sharp choreography — setting the tone for what the film promises to deliver. The beats, lyrics, choreography and composition brings to life a vibrant energy and a distinctive festive vibe. Santhosh Narayanan kicks off the chartbuster album with a groovy dance number that celebrate love, life and family
Maa Inti Bangaaram is a family action comedy drama created by Raj Nidimoru & directed by Nandini Reddy who reunites with Samantha after their smash hit Oh! Baby. The film stars Diganth and Gulshan Devaiah in key roles, with a supporting cast featuring Sree Mukhi, Gautami, Anand, Lakshmi, Srinivas Gavireddy, and Manjusha.
Samantha leads with a performance built on commendable physical preparation — anchoring a film that balances emotional depth with high-stakes action across age groups.
This song follows a well received teaser that has not set high expectations of the film and of Samantha and it looks like it’ll deliver on all counts.
Tha film is produced by Tralala Moving Pictures who producers are Samantha, Raj Nidumoru & Himank Duvvuru, featuring a technical crew of immense repute
- Music: Santosh Narayanan |
- DOP: Om Prakash |
- Action: Lee Whittaker and Aejaz Gulab
- Story & Screenplay: Raj Nidimoru, Vasanth Maringanti & Sita Menon
- Editing: Dharmendra Kakarala |
- Production Design: Ullas Hydur
With ira strategic May release, Maa Into Bangaaram is positioned to be the highlight of Summer 2026’s cinematic calendar
Lenin Second Single “Yetta Yetta” Song out Now
Akhil Akkineni’s Lenin Second Single “Yetta Yetta” Song out Now: Produced by Manam Enterprises LLP, Sithara Entertainments & Presented by Annapurna Studios, film Releasing on June 26th
Young and dynamic actor Akhil Akkineni’s next film Lenin has already created a strong buzz with its first single, “VaareVaa VaareVaa.” The chartbuster, composed by Thaman, kickstarted the musical promotions with a bang. Now, the second single, “Yetta Yetta,” is out and it’s an absolutely addictive track with an earthy vibe.
This peppy dance melody is brimming with catchy beats and infectious energy. The song thrives on the electric chemistry between Akhil and Bhagyashree Borse, with Akhil showcasing his mass moves and Bhagyashree adding vibrant charm, lighting up the screen with their dynamic presence.
Sensational composer Thaman delivers a full-blown mass melody with his signature hooks and beats, also lending his voice alongside Sri Krishna. Bhaskarabhatla’s lyrics are rooted yet catchy, every word feels addictive. Packed with local flavour and perfectly matching the romantic tone, this track is a true banger.
Lenin stars Bhagyashri Borse as the female lead. Directed by Murali Kishor Abburu, Lenin is shaping up to be a complete cinematic package filled with powerful emotions and engaging storytelling. This much-anticipated project is set to release in theatres on June 26, 2026. The team assures audiences that the film will be presented in its finest form, delivering a memorable big-screen experience.
The film also features music by Thaman S, adding to the overall scale and appeal. Produced by Akkineni Nagarjuna and Suryadevara Naga Vamsi under Manam Enterprises LLP and Sithara Entertainments, and presented by Annapurna Studios, the film promises a memorable big-screen spectacle.
Cast: Akhil Akkineni & Bhagyashri Borse
Written & Directed by Murali Kishor Abburu
Produced by Akkineni Nagarjuna, Suryadevara Naga Vamsi
Banners : Manam Enterprises LLP, Sithara Entertainments
Presented by Annapurna Studios
A Thaman S Musical
Editor – Navin Nooli
DOP – Leon Britto
Production Designer – Avinash Kolla
Boosted by the“Gaddar Award” Second Film Coming Soon!!
— Producer
Busam Ravindranath
Inspired by the philosophy “If we protect trees, trees will protect us,” the life of Daripalli Ramaiah, who dedicated his entire life to planting trees and became known as “Chettla Ramaiah” (Vanajeevi Ramaiah), has been brought to the screen as “Vanajeevi Ramaiah.” He was honored with the prestigious Padma Shri by the Government of India. This 40-minute short film, produced by Busam Ravindranath under the B.R. Movies banner and directed by Nandi Award-winning director Vemuganti, carries the tagline “Vruksho Rakshati Rakshitah.” The film won the First Best Short Film award in the Short Films category at the Gaddar Awards presented by the Telangana Government. It also received a cash prize of ₹5 lakh and drew attention from audiences across both Telugu states.
Encouraged by the success of his debut production, Ravindranath is now gearing up for his second film. He currently serves as an MPTC from Proddatur in Kadapa district, representing the YSR Congress Party, and is also a real estate businessman by profession. With a deep passion for cinema since childhood, he even appeared in a small role in “Vanajeevi Ramaiah.”
At present, Ravindranath is actively engaged in story discussions for his next project and is planning to take it to the sets soon. He expressed heartfelt gratitude to everyone who contributed to the making of the film, especially senior actor Brahmaji, who impressed audiences in the title role.
Ravindranath also shared that receiving appreciation from Megastar Chiranjeevi after winning the Gaddar Award, as well as earlier praise from former Vice President M. Venkaiah Naidu, gave him immense confidence. Recalling a memorable moment, he said that when he met Chiranjeevi and expressed his dream of making a film like Tagore with him, the Megastar smiled and said, “Dream it strongly—it will definitely come true.” Those words, he added, gave him immense strength!!
“Pochamma” would be a success the moment
we heard its story: aha Content Head Kavitha
Pochamma will be available for streaming on aha in Telugu and Tamil on April 17th
The new web series “Pochamma” is set to stream in Telugu and Tamil from the 17th of this month. It is a mystical thriller featuring Ambati Arjun, Ramesh Indira, Priya Shatamarshan, Snehal Kamat, Shruti Naidu, and Sri Pooja in key roles. Gold subscribers will get access 24 hours early. The series is produced by Shruti Naidu under her banner, with Ramesh Indira as the director. A special premiere and press meet were आयोजित today.
Actress Snehal Kamat said she played the character Jessie in the series, which was entirely shot in Chikmagalur. She thanked producer Shruti Naidu for selecting her and said working with director Ramesh Indira was a great experience, both as a filmmaker and co-actor. She added that working with the entire cast was memorable and encouraged audiences to watch the series.
Actress Sri Pooja shared that from the very first day, she believed the series would be a success because everyone involved was extremely dedicated. She said that where such hardworking people come together, failure has no place. She added that the series will engage audiences and streams in both Tamil and Telugu from the 17th.
Kavitha from aha said they were confident about the success of “Pochamma” as soon as they heard the story. She also mentioned that during the shoot, it felt as though the goddess Pochamma herself guided the team, as they frequently came across temples and idols related to her. The team collaborated closely on every scene, which turned out very well, and the music also came together nicely. She assured that the series would captivate viewers. She also noted that aha is bringing several interesting titles this year, including Chiranjeeva, Three Roses Season 2, Dhoolpet Police Station, Sarkar, and Chef Mantra.
Actor Ambati Arjun said some content may appear quiet initially but creates a strong impact after release, and “Pochamma” falls into that category. He added that the poster and title have already attracted attention. He praised the cinematographer and music director as the real heroes of the series and said the aha team has brought it forward with great passion. He highlighted that all actors, including child artists, delivered excellent performances. He concluded by saying that such good content doesn’t need excessive promotion and will succeed once it starts streaming, urging audiences to watch “Pochamma” on aha from the 17th.
Saiyaara Team Reunites
Saiyaara Team Reunites: Mohit Suri, Akshaye Widhani, Ahaan Panday & Aneet Padda return for an intense romance laced with heart-tugging music.
The Saiyaara team is back! After the phenomenal success of Saiyaara, that became the all-time highest grossing love story in the history of Indian cinema, the celebrated team of director Mohit Suri, producer Akshaye Widhani (CEO of Yash Raj Films) and breakout Gen Z stars Ahaan Panday and Aneet Padda are set to reunite for an intense romance! The untitled film promises a cinematic experience that blends heartfelt storytelling with unforgettable melodies.
Released to unprecedented acclaim and audience love, YRF’s Saiyaara emerged as one of the defining musical blockbusters of its time. It collected a staggering 338 crore nett in India & about 580 crore gross worldwide — an extraordinary achievement for a romantic musical with absolute newcomers. Its soul-stirring soundtrack dominated streaming charts for months, even after its release, further reinforcing the film’s pop cultural impact in India and worldwide, especially amongst the youth of today.
Ahaan Panday and Aneet Padda, the Saiyaara pair became sweethearts of Gen Z! Ahneet, as their fans lovingly call them, are set to return with this film, bringing with them the infectious charm, authenticity in acting & scintillating chemistry that made their performances in Saiyaara so memorable.
Mohit Suri says, “It’s always been love stories for me … overwhelming — when emotions are so unbound , self-consuming and become impossible to ignore. Love is supposed to be felt intensely and that’s why I naturally gravitate towards this as a storyteller. The film explores this unabashedly… so coming back with the same team from Saiyaara feels incredibly special, maybe it was always written in the stars. Reuniting … coming back home .. but with a renewed creative hunger. This time I feel like a newcomer… excited, anxious about this story and I hope my music will again touch people like I have always strived for through my films.”
Akshaye Widhani says, “Mohit and our collaboration is built on a shared creative pulse and an ambition to tell stories that touch the hearts of people. With Mohit, it’s never just about making a film — it’s about chasing a feeling, a piece of music, a moment that lingers long after the screen fades to black. Saiyaara was one such moment that we will cherish forever. As we come together again, we’re searching for something even more honest, more vulnerable and more enduring with our second collaboration. We are thrilled to have Ahaan & Aneet in our film as the most-loved Gen Z pair reunite for a Mohit Suri romance.”
The Ahaan-Aneet starrer YRF film is set to go on floors later this year and will be eyeing a 2027 theatrical release worldwide.
Mega Prince Varun Tej Undergoes Surgery
*‘Mega Prince’ Varun Tej Undergoes Surgery After Sustaining Knee Injury During ‘Bhari’ Volleyball Training*
The team of *Bhari* has issued an official update regarding the health of *Varun Tej*, informing that the actor sustained an injury while preparing for his role in the film. The development has drawn concern from across the film fraternity and audiences, with many expressing their support and wishing him a speedy recovery.
In a statement released by producer *Niharika Konidela*, it was confirmed that *Varun Tej* suffered a knee injury while undergoing volleyball training, which forms a crucial aspect of his character in *Bhari*. He was immediately provided medical attention and has since undergone successful surgery. The procedure was completed smoothly, and he is currently recovering under expert medical supervision. The team has assured that his condition is stable and expressed gratitude for the outpouring of concern, adding that he is steadily progressing towards full recovery.
https://www.instagram.com/p/DXJkPxZk721
*Bhari* has already generated strong interest as a rooted rural sports drama, with volleyball forming an integral part of its narrative. The film was officially launched with a traditional pooja ceremony, with *’Powerstar’ Pawan Kalyan* giving the ceremonial first clap, marking a grand beginning for the project. Directed by *Yadhu Vamsee*, the film is being produced under *Pink Elephant Pictures* and is positioned as an emotionally driven story set against a village backdrop.
Known for his inclination towards varied and demanding roles, Varun Tej had been undergoing rigorous physical training to authentically portray a volleyball player, making the injury an unfortunate interruption in an otherwise committed preparation process.
Director *Yadhu Vamsee*, who made a notable impact with *Committee Kurrollu*, earned widespread appreciation for his grounded storytelling, fresh narrative voice, and emotional depth. The film’s recognition at the _National Film Awards_ further established him as a filmmaker of credibility and substance. With *Bhari*, he now expands his vision onto a larger canvas, aiming to blend rooted storytelling with broader cinematic appeal.
On the production front, *Niharika Konidela* continues to strengthen her standing with a consistent and content-driven approach. Having produced the National Award-winning *Committee Kurrollu* and followed it up with the successful *RaaKaaSaa*, she is on a steady success streak, backing films that resonate with audiences while maintaining strong commercial viability. Under *Pink Elephant Pictures*, she is carving a distinct identity as a producer with both vision and instinct for impactful storytelling.
With a filmmaker who has already earned national recognition and a producer riding on a strong run of successful films, *Bhari* stands backed by both creative credibility and growing momentum. As the team looks ahead, the film continues to hold strong anticipation, with confidence that Varun Tej will soon return to the sets in full strength.
The efforts of Gopichand and Chamundeswarinath are remarkable: K.S. Rama Rao
The ‘FNCC-Pullela Gopichand Badminton League’ (FNCC-PGBL), organized by the Film Nagar Cultural Center (FNCC) in collaboration with the academy of legendary coach Pullela Gopichand, has infused great enthusiasm among athletes. This prestigious league, which commenced on April 4th, was held grandly every Saturday and Sunday at the Film Nagar Club. Top-10 male and female players from across the country participated, showcasing their skills. Attended by Tollywood celebrities and sports icons, the tournament captivated badminton enthusiasts. Six teams competed in the league, each entering with an entry fee of ₹10 lakhs. Prizes were distributed to the winners during a grand event held at FNCC on Tuesday evening.
Key figures involved in the program included FNCC President K.S. Rama Rao, Secretary Tummala Rangarao, Vice President S.N. Reddy, Joint Secretary K. Sadashiva Reddy, Treasurer Shailaja Jujala, and committee members Edida Raja, Krishnam Raju (Venu), Varaprasadam Rao, Sports Convener Koganti Bhavani, former FNCC Vice President and Badminton Chairman Purushottama Rao, and Telangana Badminton Association Vice President V. Chamundeswarinath. Pullela Gopichand and Nikhat Zareen attended as chief guests.
K.S. Rama Rao (President, FNCC):
The hard work put in by Gopichand and Chamundeswarinath is truly great. Former Vice President and Badminton Chairman Purushottam made this league possible. Special thanks to Kaja Suryanarayana Rao. Team owners arranged four teams—Ravi garu, Vayuputra Somaraju garu, Govardhan Reddy garu, and friends—while FNCC took one team. In the future, there is scope for 6 to 10 teams, and we have requested Gopichand garu regarding this. We plan to live-telecast the next tournament and hope media channels encourage us by allocating time. I thank the entire FNCC team for their support. Many children participated, and I promise to make it even better next year.
Purushottama Rao (Badminton Chairman & Sponsor):
I initiated this event, but its success is due to the cooperation of Chamundeswarinath, Gopichand, and Somaraju. I have been playing badminton since I moved to Hyderabad. My goal was to elevate the reputation of Film Nagar Club to a national level through this initiative.
I.V. Somaraju:
K.S. Rama Rao garu organized a similar program back in 1997. We have a long-standing relationship with Gopichand garu. I request him to provide admissions for 4-5 students in his academy every year if the Film Nagar Committee requests.
Pullela Gopichand:
FNCC has always supported our association. When Chamundeswarinath called to suggest a national-level league, we prepared teams within two days. We shouldn’t just celebrate when someone like Messi plays; we should celebrate and encourage our own children playing here. I thank FNCC for giving me the chance to watch these domestic matches. It is wonderful to have Nikhat Zareen here. I remember being encouraged when I played in Vuyyuru at age 13; every player needs that kind of support.
V. Chamundeswarinath:
“K.S. Rama Rao garu provided the teams at a very low cost this time. Next year, the entry fee per team will be ₹25 lakhs. Along with Gopichand’s support, we will personally select the teams for the next season.
Nikhat Zareen (Chief Guest & Indian Boxer):
Congratulations to all the winners. This is the first time I’ve watched badminton live, and it’s amazing to see young children playing so well. I hope FNCC conducts boxing tournaments in the future as well, as there are many talented boxers in Telangana.
Kaja Suryanarayana:
A good committee is the backbone of any successful organization. Under K.S. Rama Rao’s leadership, we have excelled in cultural activities, and now we have the confidence to excel in sports as well. This was made possible by the sponsorship of Purushottama Rao.
Tournament Results:
Champions: Vayuputra Tigers
Runners-up: Elegance Eagles
Third Place: Porus Panthers
Fourth Place: FNCC Lions
The prizes were presented by Indian boxer Nikhat Zareen and other dignitaries. The event, hosted by Treasurer Shailaja, concluded on a high and exciting note.
When the Footpath Vanishes: Police–Street Vendor Nexus and the Cost to Urban Mobility
In most Indian cities, the daily drama on the streets is not just about traffic congestion or poor road design. It is also about the silent, informal arrangement between sections of the police and street vendors that allows encroachments to thrive — often at the cost of pedestrians, two-wheelers, and four-wheelers.
Street vending is a vital part of the urban economy. From tea stalls and fruit carts to mobile repair kiosks, vendors provide affordable services and livelihoods to thousands. However, when vending spills onto roads and footpaths without regulation, it creates a ripple effect of chaos. The question is not whether street vendors should exist — they should — but whether the system meant to regulate them is functioning fairly and lawfully.
The Everyday Reality on the Roads
In many busy market areas, bus stops, junctions, and even hospital entrances, vendors occupy sidewalks and gradually expand onto carriageways. What begins as a single cart often becomes a row of stalls. Pedestrians are pushed onto the road, where they must compete with vehicles for space. Two-wheelers weave dangerously between parked carts and moving traffic. Four-wheelers slow down, creating bottlenecks that stretch for hundreds of meters.
Emergency vehicles struggle to pass. School children walk inches away from moving traffic. Minor accidents become frequent. Tempers flare.
Yet, despite regular complaints from residents and commuters, enforcement is inconsistent. Vendors may be briefly removed during VIP visits or inspections, only to return the next day. This cycle has led to growing public perception of a tacit understanding — a nexus — between enforcement agencies and vendors.
Allegations of Informal Payments
In several cities, residents allege that vendors pay informal “weekly” or “monthly” amounts to avoid eviction. While such claims are difficult to prove without official investigation, the persistence of encroachments in high-traffic zones fuels suspicion.
If such arrangements exist, they undermine both the law and public trust. Instead of structured regulation through municipal bodies and Town Vending Committees, informal systems take over. This not only disadvantages vendors who try to operate legally but also distorts urban planning efforts.
Legal Framework vs Ground Reality
India’s Street Vendors (Protection of Livelihood and Regulation of Street Vending) Act, 2014, was enacted to balance livelihood rights with public convenience. It calls for proper surveys, designated vending zones, and certificates of vending.
However, in many cities:
Surveys remain incomplete or outdated.
Vending zones are poorly demarcated.
Political pressure influences enforcement.
Police, instead of municipal authorities, often become the frontline regulators.
When enforcement becomes discretionary rather than rule-based, inconsistency follows. Some vendors are removed; others are untouched. This selective action breeds resentment among commuters and honest vendors alike.
Impact on Pedestrians
Footpaths are meant for walking. When blocked:
Elderly citizens and persons with disabilities face severe hardship.
Parents with strollers are forced onto busy roads.
Women and children feel unsafe navigating traffic.
Ironically, the most vulnerable road users — pedestrians — pay the highest price for administrative leniency.
Impact on Two-Wheelers and Four-Wheelers
For two-wheelers:
Sudden swerving to avoid carts increases crash risks.
Oil spills and waste from food stalls create slippery patches.
For four-wheelers:
Reduced lane width slows traffic flow.
Illegal roadside parking near vending areas compounds congestion.
Delivery vehicles double-park, worsening the gridlock.
The cumulative effect is lost productivity, increased fuel consumption, higher pollution, and rising road rage.
The Political Dimension
Street vendors represent a significant voting bloc in urban constituencies. This reality often leads to soft enforcement, especially during election cycles. Temporary drives are conducted, but sustained action is rare.
Policing becomes reactive rather than preventive. Instead of creating organized vending clusters with proper facilities, authorities allow organic, unplanned growth — until public outrage forces short-term crackdowns.
The Way Forward
The solution is not eviction without rehabilitation. Nor is it unchecked occupation of public roads. A balanced approach is essential:
1. Transparent Vendor Surveys – Digitized, publicly accessible records of authorized vendors.
2. Clearly Marked Vending Zones – With painted boundaries and fixed space allocations.
3. Dedicated Hawker Markets – Developed with basic amenities like waste disposal and lighting.
4. Strict No-Vending Corridors – Especially near hospitals, schools, junctions, and narrow roads.
5. Body Cameras and Monitoring – To reduce scope for informal transactions between vendors and enforcement officials.
6. Public Grievance Portals – For residents to report obstructions with time-bound action.
7. Joint Enforcement Drives – Led by municipal authorities, not just police, to ensure legal compliance.
Restoring Balance
Urban streets belong to everyone — pedestrians, cyclists, vendors, motorists, and emergency services. When one group occupies disproportionate space due to weak enforcement or alleged collusion, the balance collapses.
The debate should not pit commuters against vendors. It should focus on governance. Transparent systems, fair regulation, and accountable enforcement can protect livelihoods without sacrificing mobility.
Until then, the disappearing footpath will remain a symbol of a larger governance failure — where informal arrangements override public interest, and everyday citizens bear the cost in time, safety, and frustration.