‘Rolugunta Suri’ Releasing on November 14
▪ Grand Pre-Release Event of ‘Rolugunta Suri’ Held in Hyderabad
Hyderabad: The Telugu film ‘Rolugunta Suri’, a realistic emotional drama set against a village backdrop, is all set to hit the big screens on November 14. Directed by Anil Kumar Palla, the film stars Nagarjuna Palla, Aadhya Reddy, and Bhavana Neelap in the lead roles. It is produced by Soumya Chandini Palla under the banner Tapaswi Art Creations.
To mark the upcoming release, the movie team organized a pre-release event at the Telugu Film Chamber in Hyderabad.
Director Anil Kumar Palla said,
“Oscar award-winning lyricist Chandrabose appreciated our film, calling it a beautifully made realistic village drama. His compliments gave our entire team a great boost of energy. He also praised the music. The song launched by noted music director Anup Rubens has received a very good response. We’re grateful to him for his support and kind words about our team’s talent and effort. Director Shiva Nirvana (of Khushi fame) also conveyed his best wishes and appreciated our team. I’m confident that audiences will connect deeply with the film’s content.
Our hero Nagarjuna Palla is a national gold medalist in athletics and has shown great acting talent in this film. He has a bright future in cinema. I sincerely request everyone to watch Rolugunta Suri in theaters on November 14.”
Hero Nagarjuna Palla said,
“This is my debut film. I come from a sports background and did this project with great passion. I’m thankful to my director and producer for giving me this opportunity. I’m happy that we are already planning our next project with the same team. I request everyone to watch our film in theaters and bless us with your love and support.”
Producer Soumya Chandini Palla said,
“Rolugunta Suri is a realistic village drama filled with emotions and life truths. Every member of our unit showcased their talent, and the film has turned out really well. I request everyone to go to the theaters on November 14, watch the film, and make it a success.”
Lyricist Rama Rao Mathumuru said,
“I wrote the breakup song ‘Ninna Monna’ for this film. It was a memorable experience to have it launched and appreciated by Anup Rubens, and to receive special praise from Oscar winner Chandrabose. That’s an unforgettable moment for me.”
The film’s unit expressed confidence that Rolugunta Suri will stand out as one of the rare and remarkable films in Telugu cinema.
Technical Crew:
Cast: Nagarjuna Palla, Aadhya Reddy, Bhavana Neelap, Brahmananda Reddy, Satyanarayana, Ayusha, Jyothi, Maharshi Ramana, Mukundam Srinu, and others
Producer: Soumya Chandini Palla
Executive Producers: Oorikooti Tatharao, Palla Satyanarayana
Director: Anil Kumar Palla
Music: Subhash Anand
Lyrics: Rama Rao Mathumuru
Background Score: Sandeep Chakravarthi
Editing & Additional Screenplay: Aavula Venkatesh
Story & Dialogues: Mohammed Sai
Fights: Vasu
Art Director: S. Ramesh
Co-Director: Subhash
Publicity Design: Image 7 Advertising
PROs: Kadali Rambabu, Dayyala Ashok
K-Ramp producers Rajesh Danda and Shiva Bommakku thanked the “Aayudham” movie team
In the Diwali blockbuster film K-Ramp, starring successful hero Kiran Abbavaram, the song Idemitamma Maaya Maaya Maikam Kamminda from the movie Aayudham, which starred Rajasekhar, was used. This song played during the hero’s introduction sequence and quickly went viral on social media. Many people made reels and shorts using this song’s beat, making it a part of K-Ramp’s success as well. On this occasion, K-Ramp producers Rajesh Danda and Shiva Bommakku expressed their gratitude to Aayudham movie hero Rajasekhar, producers Vajja Srinivasa Rao and N. Anjan Babu, director N. Shankar, and music director Vandemataram Srinivas.
Producers Rajesh Danda and Shiva Bommakku said – “We are thankful to the Telugu audience for making our movie K-Ramp a blockbuster hit this Diwali. We used the song Idemitamma Maaya Maaya Maikam Kamminda from Dr. Rajasekhar’s film Aayudham. Our heartfelt thanks to Vandemataram Srinivas garu for composing such a great song, to producers Vajja Srinivasa Rao and N. Anjan Babu garu, and to our director N. Shankar garu for selecting this classic track back then. The song went viral once again through our film, with many reels being made, which helped us immensely in promotions. We sincerely thank the entire Aayudham team.”
Playing the role of Durga in The Girlfriend gave me immense satisfaction: Young and talented actress Anu Emmanuel
The film The Girlfriend, starring National Crush Rashmika Mandanna and talented actor Dheekshith Shetty, was released recently to great success. Both youth and family audiences have embraced the film warmly. Produced under the prestigious banners of Geetha Arts and Dheeraj Mogilineni Entertainment, the film was presented by Allu Aravind and directed by Rahul Ravindran. Dheeraj Mogilineni and Vidya Koppinedi served as producers. Following the film’s success, Anu Emmanuel shared her experience of portraying the character Durga.
“For The Girlfriend, I first got a call from producer Dheeraj. Later, I met director Rahul, who narrated the script. After listening to the story and my character, I immediately felt that I had to be part of this film. It conveys a meaningful message about women. Working on this movie gave me great creative satisfaction. Since it’s a Geetha Arts production, I knew the project would be handled with care. I’m happy about the response the film is receiving. However, I never do a movie with the expectation of getting praise or acclaim.
I’ve worked with star heroes in both Telugu and Tamil – Pawan Kalyan, Allu Arjun, Nani, Naga Chaitanya, Sivakarthikeyan, Karthi, Vishal, and others. But looking back, I do regret doing a few films. Acting in some commercial movies didn’t give me any artistic satisfaction. In those films, I’d just dance a few steps and deliver some routine dialogues. I didn’t realize it then, but now I’ve decided not to take up such roles anymore. I did The Girlfriend for my own satisfaction and to learn something new as an actress.
I played Durga in the film. During the first half, I was a bit anxious about how the audience would receive my character. But I was happy with the way director Rahul shaped it. He’s a very sensitive filmmaker. He didn’t just guide me – he guided every actor in the film with equal care. In commercial movies, we’re often asked to overact, but while performing Durga, I initially gave exaggerated expressions. Rahul told me to tone it down and act as naturally as possible. That approach helped me bring authenticity to the role. I dubbed for my character myself, and Rahul asked me to speak with an American accent, which made Durga’s portrayal even more natural on screen. I watched the movie in the theater, and I was thrilled when audiences clapped for some of my scenes.
By the time I came on board, Rashmika had already been cast as Bhooma. I never wanted to play Bhooma’s role. In Hollywood, movies don’t categorize characters as hero, heroine, or villain – every character contributes to the story. Rahul followed a similar approach in The Girlfriend, ensuring that every role had meaning and justification. To become someone like Durga, one must first go through what Bhooma goes through. No one is born with Durga’s courage – it comes after facing misunderstanding and suffocation from parents, friends, or society. Even men experience this kind of struggle.
Career-wise, I still feel a bit unsatisfied, but as an actor, I’m content. I’ve worked with many big stars, but I’ve never been desperate for opportunities. I believe the right projects will come to me. When I came to India from the U.S., I didn’t go to my hometown in Kerala – I came straight to Hyderabad and have lived here ever since. I auditioned for Prithviraj’s Aadujeevitham in Malayalam but couldn’t do the film. If I get a good opportunity, I’d love to work in Malayalam cinema someday. Working with Dheekshith was a great experience – he’s a very dedicated actor, and we prepared well for our combination scenes.
I had earlier worked with producer Dheeraj on Urvasivo Rakshasivo. For a film like The Girlfriend to succeed, you need a committed producer like Dheeraj. Many female-centric films in the past didn’t receive the attention they deserved because they lacked the right team. Our film highlights how society places countless conditions on women – how to talk, what to wear, when to marry, when to have children – while men only face pressure about their job or income. I currently have a few projects in the discussion stage, but it’s too early to reveal details about them.”
Telangana Deputy CM Bhatti Vikramarka Launches Title Poster for ‘Pithapuram lo’
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‘Pithapuram lo’ is a new film directed by Mahesh Chandra, who is well-known for his movie ‘Preyasi Rave’. The film comes with the tagline ‘Ala Modalaindi’ (That’s How It Started).
The main cast includes Dr. Rajendra Prasad, Prudhvi Raj, Kedar Shankar, Manichandana, Sunny Akhil, Virat, Sai Praneeth, Sreelu, and Prathyusha. The film is produced by Dundigalla Balakrishna, Akula Suresh Patel, and FM Murali (Godari Kittayya) under the Mahesh Chandra Cinema Team banner.
The title poster for the movie was officially launched by Telangana Deputy Chief Minister, Bhatti Vikramarka.
Speaking at the event, Bhatti Vikramarka said: “The director explained the film’s concept to me. It seems to be a good, message-oriented film. It has a message for today’s youth about how to make decisions and grow while respecting family values. I hope everyone supports this film.”
Dr. Rajendra Prasad said: “Director Mahesh Chandra has handled a very relevant point about what is happening in society today. I really liked the story and was happy to be a part of this film. Much like my previous films ‘Aa Naluguru’, ‘Mee Sreyobhilashi’, and ‘Onamalu’, this movie delivers a strong message while still having elements that will attract the youth.”
Actor Prudhvi Raj said: “This is a story about three families. In today’s internet age, this film will be an eye-opener for young people who may not be showing respect to their parents.”
Director Mahesh Chandra said: “My first movie, ‘Preyasi Rave’, earned me a wonderful reputation and still holds a place in the audience’s hearts. I am confident ‘Pithapuramlo’ will achieve similar success. This is a story that is very close to my heart. While it seems like the story of three fathers, it also revolves around three couples.
We titled the film ‘Pithapuram’, which is the constituency of Andhra Pradesh Deputy CM Pawan Kalyan. We are extremely happy that Telangana Deputy CM Bhatti Vikramarka launched our title poster. The film is currently in the final stages of post-production, and we plan to release it next month.”
Main Cast:
Dr. Rajendra Prasad, Prudhvi Raj, Kedar Shankar, Rajkumar Vadayar, Manichandana, Jayavahini, Annapurnamma, Dasari Padma, Sunny Akhil, Virat, Sai Praneeth, Sreelu, Prathyusha, Rehana, Jr. Pawan Kalyan, J.D.V Prasad, K.A. Paul Ramu, and Jabardasth Sheshu.
Crew Details:
Story: Akula Suresh Patel
Story Development & Dialogues: Sriram Edoti
Editor: B. Satyanarayana
Music: G.C. Krish
Executive Producer: Anji Sandrala
Producers: Dundigalla Balakrishna, Akula Suresh Patel, FM Murali (Godari Kittayya)
Screenplay & Direction: Mahesh Chandra
Last-Mile Challenge: Bridging the Gap at Indian Metro Stations
While metro rail systems have revolutionized urban public transit in India, the effectiveness of this mass transport backbone is often undermined by a persistent problem: poor last-mile connectivity. The “last mile” refers to the distance and travel mode between a metro station and a commuter’s final destination (or vice-versa, the “first mile”). When this gap isn’t bridged efficiently, safely, and affordably, commuters revert to private vehicles, defeating the metro’s purpose.
Major Issues in Last-Mile Connectivity
Several challenges prevent seamless integration of metro systems with the surrounding urban environment:
* Inadequate Feeder Services: Reliance on informal para-transit (auto-rickshaws, cycle-rickshaws) is common, but official feeder bus services are often insufficient, infrequent, or lack coverage in residential and commercial hubs located just outside the station’s immediate walking radius.
* Poor Non-Motorized Transport (NMT) Infrastructure:
* Lack of Walkability: Footpaths near stations are frequently encroached upon by vendors, are poorly maintained, or are non-existent, making walking unsafe, especially for women, children, and the elderly.
* Unsafe Crossings: Difficulty in crossing busy roads outside stations due to heavy traffic and lack of safe pedestrian crossings (e.g., FOBs or subways).
* Cycling Deficiencies: Absence of dedicated cycling lanes and secure bike parking facilities discourages the use of bicycles or shared micro-mobility options.
* Lack of Integration and Coordination: There is often a disconnect in planning and operations between the Metro Rail Corporation, local Municipal Corporations, and State Road Transport Undertakings (SRTUs). This leads to:
* Disparate Ticketing: Lack of a unified ticketing system (like the National Common Mobility Card – NCMC) that works across the metro, feeder buses, and other modes.
* No Integrated Schedules: Feeder services rarely synchronize their schedules with metro train arrivals and departures.
* Safety and Security Concerns: Inadequate lighting and police presence, particularly late at night, make the final journey challenging, especially for women commuters.
* Informal Para-Transit Chaos: While auto-rickshaws are vital, their operation is often unregulated, leading to overcharging, refusal of short-distance rides, and chaotic parking, creating congestion at station exits.
Solutions for Seamless Last-Mile Connection
Addressing the last-mile problem requires a comprehensive, multi-modal, and integrated approach:
1. Robust and Integrated Feeder Systems
* Automatic Feeder Permits: Streamlining the process for metro entities to run their own feeder bus services by granting automatic permits under transport regulations.
* Electric Micro/Mini Buses: Introducing frequent, compact electric microbuses that can navigate narrow city streets and offer clean, dedicated services within a 5-kilometre radius of the station.
* Single/Common Ticketing: Fully implementing the National Common Mobility Card (NCMC) or QR-code systems for seamless payment across the metro, feeder buses, and authorized shared mobility.
2. Enhancing Non-Motorized Transport (NMT)
* Prioritizing Pedestrian Corridors: Ensuring continuous, shaded, and safe footpaths within a 500-meter catchment area of every station, free from encroachment.
* Dedicated Cycling Infrastructure: Providing dedicated cycle lanes and secure, covered bicycle and e-bike parking at station premises.
* Improving Access: Constructing well-lit Foot Overbridges (FOBs) or subways to connect stations to key adjacent high-rise buildings, commercial centres, and bus stops, separating pedestrian traffic from vehicular flow.
3. Smart & Shared Mobility Solutions
* Regulated Shared E-Mobility: Promoting the deployment of regulated electric three-wheelers (e-rickshaws), e-bikes, and bike-taxis by creating designated, organized pick-up/drop-off points and parking bays near the exits.
* App Integration: Collaborating with private ride-sharing aggregators and public transport apps to provide real-time information and booking for various last-mile options, allowing commuters to plan their end-to-end journey.
* Transit-Oriented Development (TOD): Implementing policies that integrate land use and transport planning, allowing for high-density mixed-use development within walking distance of metro stations to naturally reduce last-mile travel needs.
4. Institutional and Policy Reforms
* Unified Metropolitan Transport Authority (UMTA): Establishing a single body to coordinate the planning and operations of all modes of transport in a city—metro, buses, autos, and taxis—to ensure consistency and resource allocation for last-mile needs.
* Mandatory Last-Mile Budgeting: Mandating that metro Detailed Project Reports (DPRs) allocate a specific percentage of their budget (e.g., 10%) for integrated last-mile infrastructure and services.
By implementing these solutions, Indian metros can truly become the artery of urban mobility, encouraging a greater shift away from private vehicles and delivering on the promise of safe, sustainable, and inclusive public transport.
The Great Pre-Wedding Show scores big with super hit talk – collects ₹2.22 Cr in 3 days!
Telugu audiences have once again proven that genuine content always wins. The recently released The Great Pre-Wedding Show, starring Thiruveer and Teena Sravya, has emerged as the surprise hit of the season. Released on November 7, this slice-of-life entertainer has stormed the box office, grossing an impressive ₹2.22 crores in just three days. With laughter, warmth, and emotion blended beautifully, the film has turned into a joyous celebration of storytelling and simple human connections.
Produced by Sandeep Agharam and Ashmitha Reddy Basani under 7PM Productions and Puppet Show Productions, the film comes with a refreshing honesty that resonates with today’s audience. Co-produced by Kalpana Rao and directed by Rahul Srinivas, the team has managed to deliver a film that feels both local and universal. Despite its modest scale, it has earned massive appreciation purely through word-of-mouth, proving that sincerity still outshines scale in Telugu Cinéma.
From its very first show, The Great Pre-Wedding Show has been winning hearts across social media and theatres alike. Viewers are lauding its lighthearted tone, engaging screenplay, and strong emotional undercurrent. Critics have highlighted the film’s authenticity and its ability to balance humour with heartfelt moments. With such overwhelming audience response, the film’s screen count has now been increased across major centres, a rare feat for a small-budget release.
Set in a charming rural backdrop, the film captures the chaos, humour, and tenderness surrounding a pre-wedding photo shoot gone hilariously wrong. Thiruveer, as Ramesh the wedding photographer, shines with his effortless comic timing and natural presence. Teena Sravya adds grace and freshness to the story, while the supporting cast provides constant laughs and warmth. The film’s situational comedy and grounded emotions strike a perfect balance, leaving the audience both smiling and moved.
With its honest storytelling and relatable characters, The Great Pre-Wedding Show stands as a reminder that good-hearted cinema can still connect deeply without relying on formula. It celebrates everyday people, their quirks, and the beauty of small-town life – making it one of the most endearing crowd-pleasers of recent times.
Cast: Thiruveer, Teena Sravya, Master Rohan, and others.
Technical Crew:
Writer & Director – Rahul Srinivas
Producers – Sandeep Agharam & Ashmitha Reddy Basani
Co-Producer – Kalpana Rao
Music – Suresh Bobbili
Cinematography – K. Soma Shekar
Editor – Naresh Adupa
Executive Producer – Pragnyay Konigari
Production Designer – Phani Teja Moosi
Costume Designers – Aarthi Vinnakota, Priyanka Veeraboyina
Lyricist – Sanare
Sound Designer – Ashwin Rajasekhar
PRO – Naidu & Phani (Beyond Media)
Publicity Designer – Ideal Dots
Marketing – Housefull
Loukya Entertainments’ ‘Dhandoraa’ set for a Grand Release this Christmas — December 25
Loukya Entertainments’ ‘Dhandoraa’ set for a Grand Release this Christmas — December 25
After delivering the National Award-winning Colour Photo and the blockbuster Bedurulanka 2012, producer Ravindra Benerjee Muppaneni of Loukya Entertainments is back with another compelling project — Dhandoraa, written and directed by Murali Kanth.
Currently in its final stage of production, the makers have officially announced that the film will hit screens worldwide on December 25, marking a dramatic end to this year.
DHANDORAA FIRST BEAT
https://youtu.be/K1EKQ8QXaQw
The announcement poster, featuring a freshly dug grave with the release date engraved inside, has become a talking point for its innovative design and symbolic depth. The tone, both intriguing and intense, teases a story that’s as emotional as it is socially charged.
Dhandoraa addresses a powerful social theme — delving into the harsh realities of caste discrimination and the consequences faced by those who challenge entrenched hierarchies. Set in rural Telangana, the film blends satire, heartfelt emotion, and earthy humour while reflecting on ancient traditions and cultural dynamics.
With its combination of social consciousness, powerful performances, and emotional storytelling, Dhandoraa promises to leave a lasting impact – arriving in cinemas this Christmas, December 25.
The film stars Shivaji, Navdeep, Nandu, Ravi Krishna, Manika Chikkala, Mounica Reddy, Bindu Madhavi, Raadhya, and Aditi Bhavaraju in pivotal roles.
Technical Crew:
Music: Mark K. Robin
Cinematography: Venkat R. Sakhamuri
Editing: Srujana Adusumilli
Art Direction: Kranthi Priyam
Executive Producer: Edward Stevenson Pereji
Costume Designer: Rekha Boggarrapu
Line Producer: Kondaru Venkatesh
Audio: T-Series
Overseas Release: Atharvana Bhadrakali Pictures
PRO: Naidu Surendra Kumar & Phani Kandukuri (Beyond Media)
Marketing: Ticket Factory
